Founded in 1978, the Kyoto Costume Institute holds one of the world`s most extensive clothing collections and has curated many exhibitions worldwide. Showcasing highlights from the Institute`s archives of skilled photographs depicting the clothing expertly displayed and arranged on custom-made mannequins, Fashion History is a fascinating excursion through the last three centuries of clothing trends. The authors: Akiko Fukai (Chief Curator of The Kyoto Costume Institute), Tamami Suoh (Curator of The Kyoto Costume Institute), Miki Iwagami (Lecturer of fashion history at Sugino Fashion College (Tokyo)), Reiko Koga (Professor of fashion history at Bunka Women`s University), and Rii Nie (Assistant Curator of The Kyoto Costume Institute). Издание на английском языке.

Three centuries of women's clothing Founded in 1978, the Kyoto Costume Institute holds one of the world`s most extensive clothing collections and has curated many exhibitions worldwide. Showcasing highlights from the Institute`s archives of skilled photographs depicting the clothing expertly displayed and arranged on custom-made mannequins, Fashion History is a fascinating excursion through the last three centuries of clothing trends. The authors: Akiko Fukai (Chief Curator of The Kyoto Costume Institute), Tamami Suoh (Curator of The Kyoto Costume Institute), Miki Iwagami (Lecturer of fashion history at Sugino Fashion College (Tokyo)), Reiko Koga (Professor of fashion history at Bunka Women`s University), and Rii Nie (Assistant Curator of The Kyoto Costume Institute). Издание на английском языке. Издание составляют 2 тома, упакованные в футляр.

The ultimate compendium of clothing Clothes define people. A person’s attire, whether it’s a sari, kimono, or business suit, is an essential code to his or her culture, class, personality, even faith. Founded in 1978, the Kyoto Costume Institute recognizes the importance of understanding clothes from sociological, historical, and artistic perspectives. With one of the world’s most extensive clothing collections, the KCI has amassed a wide range of historical garments, underwear, shoes, and fashion accessories dating from the 18th century to the present day. Showcasing the Institute’s vast collection, Fashion History is a fascinating excursion through the last three centuries of clothing trends. Featuring impeccable photography of clothing expertly displayed and arranged on custom-made mannequins, it is a testimony to attire as “an essential manifestation of our very being” and to the Institute's passion for fashion as a complex and intricate art form. The book's authors include some of the smartest minds and sharpest eyes in fashion studies: Akiko Fukai (Chief Curator of The Kyoto Costume Institute), Tamami Suoh (Curator of The Kyoto Costume Institute), Miki Iwagami (Lecturer of fashion history at Sugino Fashion College (Tokyo)), Reiko Koga (Professor of fashion history at Bunka Women’s University), and Rie Nii (Associate Curator of The Kyoto Costume Institute).

Take an excursion through the last three centuries of trend. This spectacular collection from the Kyoto Costume Institute, one of the world`s most extensive clothing collections, features the outerwear, underwear, footwear, and accessories that have defined self across time and geography.

Take an excursion through the last three centuries of trend. This spectacular collection from the Kyoto Costume Institute, one of the world`s most extensive clothing collections, features the outerwear, underwear, footwear, and accessories that have defined self across time and geography.

The history of the national numismatic collections of the old imperial or, at least, multinational capitals on the Baltic, Copenhagen, Stockholm and St.Petersburg, have a number of characteristics in common. They all grew from Royal collections formed in the 18th century, in some cases even in the 17th century, and they gradually integrated various aristocratic and bourgeois collections. Due to important social and economic changes in the Russian society, this development continued in St. Petersburg till the middle of the 20th century, while focus in both Copenhagen and Stockholm gradually was centred on finds and hoards from the native soil. In the 19th and especially the 20th century all three collections developed into important research institutions, the Stockholm collection being since the 1950's an international centre for the study of Viking Age coinage from Central Asia and Northern Europe. 0

The history of the national numismatic collections of the old imperial or, at least, multinational capitals on the Baltic, Copenhagen, Stockholm and St.Petersburg, have a number of characteristics in common. They all grew from Royal collections formed in the 18th century, in some cases even in the 17th century, and they gradually integrated various aristocratic and bourgeois collections. Due to important social and economic changes in the Russian society, this development continued in St. Petersburg till the middle of the 20th century, while focus in both Copenhagen and Stockholm gradually was centred on finds and hoards from the native soil. In the 19th and especially the 20th century all three collections developed into important research institutions, the Stockholm collection being since the 1950's an international centre for the study of Viking Age coinage from Central Asia and Northern Europe. 0

The collection of Russian paintings at the State Hermitage contains around 3,000 items. Over a half of them are portraits, which provide priceless iconographic material for historians. The portraits represent a wide thematic range - from images of Tsars and Grand Dukes to those of military, civil and cultural figures, members of the clergy, aristocrats, country gentlemen and merchants. The chronological scope of the collection largely lies between the 18th and the early 20th century. The portraits of this period kept at the Department of the History of Russian Culture are extremely diverse and reflect nearly all the major Russian artistic trends. The Hermitage possesses works by major Russian masters of the 19th century, as well as paintings by less well-known artists, which serve to complete the picture of Russian artistic life of the time. The permanent exhibitions "Russian Art and Culture of the First Half of the 18th Century" and "Russian Art and Culture of the Second Half of the 18th Century", housed in the halls of the Winter Palace, display the masterpieces of 18th-century art. The Hermitage collection is adequately represented by the canvases by Andrei Matveyev, Ivan Nikitin, Louis Caravaque, Ivan Vishnyakov, Ivan Argunov, Alexei Antropov, Feodor Rokotov, Dmitry Levitsky, Vladimir Borovikovsky. Many works by these masters in the Hermitage collection have become textbook examples of 18th-century Russian art.

The story of modern fashion from couture to mass market The 20th century saw fashion evolve from an exclusive Parisian salon business catering for the wealthy elite into a global industry employing millions, with new trends whisked into stores before the last model has even left the catwalk. Along the way, the signature silhouettes of each era evolved beyond recognition. For women, House of Worth crinolines gave way to Vionnet’s bias-cut gowns, Dior’s New Look to Quant’s Chelsea Look, Halston’s white suit to Frankie B.’s low-rise jeans. In menswear, ready-made suits signaled the demise of bespoke tailoring, long before Hawaiian shirts or skinny jeans entered the game. 20th-Century Fashion offers a retrospective of the last hundred years of style via 400 fashion advertisements from the Jim Heimann Collection. The images trace not only the changing trends but also the evolution in their marketing and audience, as fashion was adopted into popular culture and the mass market, decade by decade. An in-depth introduction and illustrated timeline detail the style-makers and trendsetters, and how historic events, design houses, retailers, films, magazines, and celebrities shaped the way we dressed—then and now.

The Way We Wore The story of modern fashion-from couture to mass market The 20th century saw fashion evolve from an exclusive Parisian salon business catering to a wealthy elite, into a global industry employing millions, with new trends whisked into stores before the last model has left the catwalk. Along the way, the signature feminine silhouettes of each era evolved beyond recognition: House of Worth crinolines gave way to Vionnet's bias-cut gowns, Dior's New Look to Quant's Chelsea Look, Halston's white suit to Frankie B.'s low-rise jeans. In menswear, ready-made suits signaled the demise of bespoke tailoring, long before Hawaiian shirts, skinny ties or baggy pants entered the fore. 20th Century Fashion offers a stylish retrospective of the last hundred years, via 400 fashion advertisements from the Jim Heimann Collection. Using imagery culled from a century of advertising, this book documents the unrelenting pace of fashion as it was adopted into the mass culture, decade by decade. An in-depth introduction, chapter text, and illustrated timeline detail the style-makers and trend-setters, from couture to the mass market; and how the historic events, design houses, retailers, films, magazines, and celebrities shaped the way we dressed-then and now. About the editor: Cultural anthropologist and graphic design historian Jim Heimann is Executive Editor for TASCHEN America, and author of numerous books on architecture, pop culture, and the history of the West Coast, Los Angeles and Hollywood. His unrivaled private collection of ephemera has featured in museum exhibitions around the world and dozens of books. About the author: Alison A. Nieder has worked in fashion since 1985, in retail, apparel production, and as a fashion business journalist. She is executive editor of California Apparel News, a fashion trade publication covering the West Coast apparel and textile industries. Издание на английском, французском и немецком языках.

A person's clothing, whether it's a sari, kimono, or business suit, is an essential key to his or her culture, class, personality, or even religion. The Kyoto Costume Institute recognizes the importance of understanding clothing sociologically, historically, and artistically. Founded in 1978, the KCI holds one of the world's most extensive clothing collections and has curated many exhibitions worldwide. With an emphasis on Western women's clothing, the KCI has amassed a wide range of 20th century historical garments, underwear, shoes, and fashion accessories. Showcasing a vast selection from the Institute's archives of skilled photographs depicting the clothing expertly displayed and arranged on custom-made mannequins, "Fashion: A Fashion History of the 20th Century" is a fascinating excursion through a century of clothing trends. The KCI believes that "clothing is an essential manifestation of our very being" and their passion and dedication positively radiate from every page of this book.

The 20th century saw fashion evolve from an exclusive Parisian salon business catering to a wealthy elite into a global industry employing millions, with new trends whisked into stores before the last model has left the catwalk. Along the way, the signature silhouettes of each era evolved beyond recognition. For women, House of Worth crinolines gave way to Vionnet’s bias-cut gowns, Dior’s New Look to Quant’s Chelsea Look, Halston’s white suit to Frankie B.’s low-rise jeans. In menswear, ready-made suits signaled the demise of bespoke tailoring, long before Hawaiian shirts or skinny jeans entered the fore. 20th-Century Fashion offers a retrospective of the last hundred years of style via 400 fashion advertisements from the Jim Heimann Collection. The images trace not only the changing trends but also the evolution in their marketing and audience, as fashion was adopted into popular culture and the mass market, decade by decade. An in-depth introduction and illustrated time line detail the style-makers and trendsetters and how the historic events, design houses, retailers, films, magazines, and celebrities shaped the way we dressed—then and now.

The 20th century saw fashion evolve from an exclusive Parisian salon business catering to a wealthy elite into a global industry employing millions, with new trends whisked into stores before the last model has left the catwalk. Along the way, the signature silhouettes of each era evolved beyond recognition. For women, House of Worth crinolines gave way to Vionnet’s bias-cut gowns, Dior’s New Look to Quant’s Chelsea Look, Halston’s white suit to Frankie B.’s low-rise jeans. In menswear, ready-made suits signaled the demise of bespoke tailoring, long before Hawaiian shirts or skinny jeans entered the fore. 20th-Century Fashion offers a retrospective of the last hundred years of style via 400 fashion advertisements from the Jim Heimann Collection. The images trace not only the changing trends but also the evolution in their marketing and audience, as fashion was adopted into popular culture and the mass market, decade by decade. An in-depth introduction and illustrated time line detail the style-makers and trendsetters and how the historic events, design houses, retailers, films, magazines, and celebrities shaped the way we dressed—then and now.

What defined the way women dressed in the 1930s? When did haute couture become off-the-peg? How did economic highs and lows influence style in the 1980s? High Fashion answers these questions and more by exploring fashion design in the 20th century, one decade at a time. Each chapter looks at the significant stylistic changes that occurred in one decade and places them in a wider cultural and socioeconomic context. The designers whose work best represents their era are profiled and their key looks deconstructed, from the vertical silhouette of the 1900s to minimalism in the 1990s. High Fashion combines thoughtful analysis with a carefully curated selection of archive images to create an invaluable resource for fashion students and a fascinating journey through 20th-century style for fashionistas. It reveals how styles have changed, what those changes tell us about individuals and society at that time, and how our current relationship with fashion was formed.

Yves Saint Laurent Icons of Fashion Design, acclaimed by the critics as an intoxicating book remains the most attractive homage to the uncrowned king of haute couture. Pictures taken by the world's leading fashion photographers trace the success of Saint Laurent's designs, which, since conquering the fashion world five decades ago, have caused sensation after sensation each year. The book also constitutes a high-quality review of fashion photography over a period of forty years, collecting 135 YSL dresses in images created by fashion photography's greatest 20th century heroes. Yves Saint Laurent was equipped with an infallible instinct for reading the aesthetic signs of the times, and this enabled him to have a profound effect on fashion in the second half of the 20th century.

Yves Saint Laurent Icons of Fashion Design, acclaimed by the critics as an intoxicating book remains the most attractive homage to the uncrowned king of haute couture. Pictures taken by the world's leading fashion photographers trace the success of Saint Laurent's designs, which, since conquering the fashion world five decades ago, have caused sensation after sensation each year. The book also constitutes a high-quality review of fashion photography over a period of forty years, collecting 135 YSL dresses in images created by fashion photography's greatest 20th century heroes. Yves Saint Laurent was equipped with an infallible instinct for reading the aesthetic signs of the times, and this enabled him to have a profound effect on fashion in the second half of the 20th century.